Here is a curated list of videos from Zlatne Uste Golden Festival 2020, found on Youtube 10/15/2020. Enjoy!
This set was recorded at the Golden Festival 2014.
The musicians are Dave Golber, clarinet, Henry Goldberg, drums, Ken Hiatt, accordion, and Kasia Sokalla, vocals.
The tunes are
“Skopski Chochek”. This from an old 45 record (yes, vinyl) of Kocho Petrovski, who was a number one accordion player. It’s a devetorka. (Yep, it’s called Skopski Chochek, and it’s a devetorka. Complain to Kocho if you want …)
Stani Mome da Zaigrash. “Get up and dance girl, ‘cause we only live once, this life of lies …” There are lyrics to this also in Greek, and, so I am told, in Turkish.
Sta Dyo. This version started with a recording of Beth Cohen. (Thanks, Beth.)
Odam vo Stambul Grad. A devetorka. Modern pop-folk. From a recording by Blagica Pavlovska. “I went to the big city to find my man. And sure enough, I found him in the red-light district, drinking and carousing, and hanging out with loose wimmen. And I said to him ‘Jack, this is your last chance. You come home with me now, or you will regret it!’”
Beranche. This is from a very Albanian-style recording, titled “Berance-Valle”. Towards the end, it switches to a 2-4 Valle. We usually leave the Valle off. So we call it “Berance-Valle without the Valle.” For some reason I (the clarinet player who is writing this) always have trouble with breathing in this piece, so we put in the drum solo to let me breathe some. And the drum solo is pretty neat anyway …
Chaje Shukarije. As sung by Esma Redzhepova.
We had Meercat Media video us. They did an amazing job. They had no idea of what was going to happen, how we and the dancers were going to move around the floor, but they got these great swooping-around dramatic shots … Great applause to them.
Oh: in some places there are video dropouts. The still I used to fill the blank screen is from the Saint’s day at Vladimirovo, eastern Macedonia. I grabbed my cell phone and taped this lady, because she was dancing in high heels on grass! You are really dancing to the thunder of the drums; the zurlas are there to keep the air full …
Young Bulgarian Voices New York
Young Bulgarian Voices New York is a non profit cultural organization that offers a variety of instrumental, voice, dance, language and traditions classes and workshops for every age and every background.
Want to learn:
Bulgarian Kaba Gaida (bagpipe) for beginners and advanced players with Kiril Ketev
Bulgarian Tupan (double sided drum) for beginners with Bonnie Silver and Mersid Mustafov
Bulgarian Traditional Singing with Petya Maglova
Bulgarian dancing with Cathie Springer
Bulgarian language and singing school for children 1 to 21 years old
Cultural workshops for every age with teaching artist Merglena Zapreva
Let us know! Become one of us! Classes take place every Sunday online. You can also write to firstname.lastname@example.org or call 617-872-7414 for more information
Our website is ybvny.org. Follow us on Facebook: YBVNY and 101 Kaba Gaidi and Tupani
Visit our Martenitsa make along sedenka workshop at Golden Festival and learn how to make a beautiful ancient charm that brings health and luck to you and your loved ones!
Based in Vancouver, BC (Canada), Musiki Parea was originally formed in Summer 2000. Original members include sisters Kate and Erika Gerson and Laura Blumenthal, who met at Mendocino Balkan Camp, and Wendy Cutler. Johnny-come-latelies are Joe Condie and Mark Hamilton.
The band usually plays at summer festivals in Metro Vancouver, including Greek Day on Broadway and the Greek Summerfest, at various cafes around Vancouver over the years, and once a year (in normal times) for the 4th Corner Dancers in Bellingham, Washington, and has also played at Balkan Night Northwest in Seattle. Most recently Musiki Parea played for the Cambie Village Business Association in Vancouver, BC. They play mostly Greek music, including village music from all Greek areas and urban Greek tunes, as well as some Turkish tunes, especially those that cross over between the two cultures, and a few songs from the former Yugoslavia.
Band members (in alphabetical order by last name):
Laura Blumenthal (vocals, santouri, and defi)
Joseph Condie (accordion)
Wendy Cutler (bass ukulele)
Erika Gerson (baglama and percussion)
Kate Gerson (clarinet)
Mark Hamilton (guitar)
Mandilatos/To Paploma (Mandilatos/Rachenitsa)
Yiorti Zeimbekidon (Zonaradikos)
Karavi Karavaki (Kalamatianos)
Garsona/Ehe geia panta geia (Hasaposervikos)
Sire na peis sti mana sou/Rampi Rampi (Karsilamas)
Notes about this composite video: The first and last tunes, which are “premieres”, were recorded in our homes, whereas the middle four were recorded when we could still meet live but socially distanced. The face-to-face pieces were originally recorded and mixed for Kolo Festival. Sound and video editing was done by Mark Hamilton.
Bob Beer’s Boza Recipe
The easiest way to make boza is from boza! So, if you have some already to use as starter (see our resource links), skip to Part B (Making the boza itself).
If you aren’t fortunate to have an awesome Turkish neighbor, or a Balkan deli making the stuff in your neighborhood, you need to establish your own starter.
Many online recipes will tell you to use “yeast.” BUT — there is a problem in translation here! In Turkish, the word used for yeast (maya) is a very general term that refers to anything used as a starter, whether it’s for cheese, yogurt, boza, bread, etc. But these are all different organisms.
If you do use store-bought bread yeast, your product will be heavily alcoholic, and that’s (well, maybe) not what you want. (The Greeks and Armenians of Istanbul made a more alcoholic version but it wasn’t considered halal by Muslims. I don’t know how they did this, or how they kept the starter from going acidic, and I have never seen a written source about their process.) This may eventually go acidic because of secondary fermentation, like vinegar production.
A sourdough starter will reportedly work, and so will yogurt, but they don’t give the greatest results. However, they may “adjust” over time.
PART A: Establishing your starter from scratch (Bob’s sort-of shortcut version):
1/4 c. grain (millet, bulgur, rice, cornmeal, rye)
My favorite grain to use is millet – the best boza in Turkey (Vefa, for example) is made from millet. In the US you can buy hulled millet but you still need to run it through an extremely fine strainer to get rid of the germ.
You can also make decent boza from bulgur or bulgur with a little rice added. Some folks use fine milled cornmeal (known as kachamak, in parts of the Balkans….)
1 ½ c water
1/4 c. sugar
1) Start your starter with 1/4 cup of grain; soak the grain overnight. Place into a saucepan, add 1 ½ c water, bring to a boil, then cover simmer on low heat until it is very soft, almost like congee. Add a little extra water during the boiling to keep it from burning.
2) Push the soft grain through a fine sieve into a bowl. You can blend it, but the texture will not be as good. Discard what’s left in the sieve. Let cool.
Note: I use an EXTREMELY fine wire strainer. (I got mine at Sur le Table). Place the strainer over a large bowl. The easiest way to get the mixture through is to take a ladle or two of the mixture and put it into the strainer, then just push in circles with the ladle. (I used to do it with a spatula but that takes way too long.)
3) Add ¼ c sugar and mix well. You should have something the consistency of a milk shake; thick but pourable. Add a little water if you need to.
4) Divide the sieved grain into three portions. Keep first portion for the first fermentation, and refrigerate the other two portions. Let the first portion sit out open overnight to collect yeasts from the air.
5) The next morning, cover container with a cloth (and a rubber band to keep the flies out), and leave this first portion out to ferment at room temperature, 2 – 3 days. Check it every day and give it a stir a couple times a day.
6) When this first portion gets sour and bubbly (and possibly a bit funky smelling), bring out the second portion, and inoculate it with a tablespoon or so of your first portion. Discard the rest of the first portion.
7) Again, cover container with a cloth as before, and leave this second portion out to ferment at room temperature. This time the fermentation will go a lot faster, and it should eventually taste like boza – sweet and tart, in about a day, possibly a little more.
8) If it still smells a little “off”, repeat steps 6-7 once more, inoculating the third portion with the culture from the second.
Usually three runs are sufficient and you will have an active starter that smells fresh and somewhat vinegary. It’s safe to taste now; it will taste sweet/tart and slightly fizzy, texture almost like very smooth applesauce. Now you are ready to make your boza for drinking!
Scientific info for the biology geeks: 🙂
What has happened is, the mixture was “colonized” by wild yeasts and bacteria, some of which produce alcohol and some that produce lactic acid, and others that are just “spoilage” bacteria.
The first yeasts produce alcohol, which the lactobacillus converts into lactic acid. Lactic acid kills the “wrong” bacteria, the bacteria that produce it “win” the battle, and your starter finds a balance. When you start your second batch, you then have a more active culture of lactic acid-producing bacteria, and they ferment the batch before the “wrong” bacteria can take hold.
PART B. Making the boza itself:
2 – 3 cups of grain of your choice (See PART A: INGREDIENTS)
2 – 3 cups of sugar
Here, you are basically doing what you’ve already done, on a larger scale.
1) Take 2 – 3 cups of your preferred grain and soak it overnight in water in a pot.
2) The next day, drain off the water and replace with new water — enough to cover grain by a few inches, and bring to a boil. Reduce to a gentle simmer.
3) Simmer, stirring occasionally, until the grain is all a very soft mush, like congee. Add more hot water if necessary to keep the grain covered and consistency soft.
4) Let the whole mixture cool. You can let it sit overnight if you like. It may set up quite thickly. That’s okay.
5) Sieve the mixture in fine sieve. (See PART A, step 2 for details) (If you use bulgur or a bulgur-rice mixture you can blend it. If you use millet, don’t; the germ of the millet is hard and you’ll have a gritty texture. But even if you use bulgur, sieving gives a nicer consistency.
6) Add sugar to the sieved grain, the same amount as the dry grain you started with. Mix it in, then add water till you have the consistency of a “milkshake” or “thinnish smoothie”. It should pour easily but also be thick enough that you need a spatula to get the rest out. Or a spoon to get the last swallow out of your glass!
7) Add the last batch of starter (all of it), mix well, cover with a cloth and rubber band to make sure no fruit flies get in, and leave in a cool place to ferment. It will take a day or two generally. How sour to let it get is a matter of taste, of course. BOZA!
Once it gets where you want it, put it in the fridge, where it will keep several days; it will continue to get more tart. As long as you don’t let it sit for an extremely long time, there should be no problem with it going bad.
ENJOY YOUR BOZA! – and be sure to save half a cup or so for your next batch. Once your starter is well established, the boza should only take a day or so to ferment.
In the old days, boza was served with ginger but the most popular way these days is in a water glass, with cinnamon sprinkled on the surface, and a few whole roasted chickpeas (the yellow unsalted kind) on top for crunch. In the old days, it was served with ginger.
BOZA – Alida Malushi’s recipe
500 gr. corn flour
5 gr. dry yeast
5 liters warm water
Sugar to taste
Start making Boza two days before you plan to drink it.
Day 1 Evening
In a big pot, mix the corn flour and the warm water. Cover and let it sit overnight.
Place the pot over medium to low heat and cook for approximately about 2 hours, mixing it often with a wooden spoon. Remove the mixture from heat and let it cool at room temperature until evening.
In a separate container, dissolve dry yeast with 3 Tbsp of warm water and let it rise for about 10 minutes. Add the yeast to the cooked corn mixture, cover, and let it sit until the next day.
Boza is ready! Strain the liquid through a cheesecloth, add sugar to your taste, mix well, fill your bottles and refrigerate. You can also add flavorings like vanilla extract and cinnamon once it is strained. Serve very cold.
The Free Music Archive contains 866 tracks recorded live by WFMU volunteers at Golden Festivals between 2009 and 2018. Audio quality varies widely. You can use the search tool to find tracks for specific bands, dates, etc. The search term “Golden Festival” finds all of these tracks.
“There will be crowds—sanguine. There will be sixty bands, give or take, with several thousand of us listening. There will be disembodied ghostly singing. There will be ruckus rhythms that defy analyzing.”
New York Music Daily Blog
“an otherworldly, booming vortex that was as ancient-sounding as it was sophisticated, both rhythmically and melodically”
“The annual Zlatne Uste Golden Festival — now in its 32nd year — is known for its many rollicking bands, but the dancing among the audience is just as important as the action happening on the fest’s four stages.” – Carolyn Spivak